Peter and the Starcatcher

November 2-3, 2019

The Cast



A boy who doesn’t miss much. Nameless, homeless, and friendless at the beginning of the play and a hero by the end. A survivor. More than anything in the world, he wants a home and a family. If he could grow up, he’d fall for Molly in a big way. But it’ll never happen.

Jaxon Roberts


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a true leader at a time when girls are mostly followers. Will risk everything for the sake of Doing Right. Curious, intelligent, beginning to feel things she doesn’t understand – romantic longings that revert to childish tantrums under pressure – because, after all, she’s a thirteen-year-old kid. She’ll be a great woman one day.

Natalie Beyenhof

Molly/et al

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Long after everyone else got out of the pirate business, Black Stache continues to terrorize the seven seas in search of a hero worthy of his villainy. Famous for his face foliage, he started shaving at age ten, had a bushy handlebar by eleven, and the blood of twenty crews on his hands by twelve. Heartless and hirsute, suspiciously well read, partial to the poetical and theatrical, and given to a ferocity from which no good shall ever spring. 

Ryan Thompson

Black Stache/et al

Ambitious, hyper-articulate, logical; yearns to be a leader, even as he knows in his heart that he never shall be one. A bit of a blowhard with just the teeny-tiniest touch of cowardice.

Samantha Beardslee

Prentiss/et al

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Obsessed with food: the eating of, the fighting over, the dreaming about. A natural actor, an easy wit, perhaps a future poet. Called “Tubby” by Prentiss, though not due to girth, of which orphans, given their meager diets, have very little indeed. 

Eleanor Cooper-Ohm

Ted/et al

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The very model of a Victorian English gentleman, loyal subject to the Queen, devoted father, faithful friend. Also, and not irrelevant to our story, Lord Aster is a Starcatcher – dedicated to protecting the Earth and all who dwell thereon from the awesome power of starstuff.

Makayla Gubbels

Lord Leonard Aster/et al

Molly’s nanny. British to the bone. Still has enough of her girlish charm to 

turn a sailor’s head and leaven his dreams. Stiff in the lip, loose in the hip, fun on a ship.

Michael Jefferis

Mrs. Bumbrake/et al

Captain of Britain’s fastest frigate, the Wasp. Years later, he will lead an expeditionary team to the South Pole, freeze to death, and become the iconic British hero, Scott of the Antarctic.

Tabatha Hogueison

Captain Robert Falcon Scott/Teacher/et al

The mean and malodorous schoolmaster of St. Norbert’s Orphanage for Lost Boys. Likes to keep his boys in the dark, as sunlight is known to feed rebellious notions, and on account of the preference in certain quarters for lads that are white and pasty. 

Taryn McSorly

Grempkin/Hawking Clam/et al

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The Neverland’s vicious captain. Without the skill or quality to lead anyone but 

himself, and always into disaster. A greedy bastard who’d sell his own mother for a ship to command and send boys to their doom for the favor of those who would use starstuff for personal gain, global domination, or worse. An orphan, too.

Aubrey Bond

Bill Slank/et al

An old sea dog. Something about him appeals to the feminine sensibility – might be his bowlegs, his saucy gait, or his kind heart.

Lauren Fenwick

Alf/et al

A very bad sailor who wants to be anywhere but under the thumb of Bill Slank.

Will Smith

Mack/et al

First mate to Black Stache. Single-mindedly dedicated to his captain’s every whim. His motto: “’Tis good to be busy.”

Adelyn Arrick

Smee/et al

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A hardworking Spanish pirate with an identity crisis. 

Riley German

Sanchez/et al


King of the Mollusks, son of Jumbo Prawn and Littleneck Clam. Kidnapped 

by British sailors and brought in chains to England, he served as sous-chef in a country estate in Derbyshire, where, for no good reason, he learned Italian wines and mastered Italian cuisine. Since returning to his island kingdom, he vengefully murders any English with the temerity to land on his Mollusk Isle domain.

Otto Fox

Fighting Prawn/et al

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A sailor on the Wasp possibly with different allegiances.

Karlie Mullenix

Seaman Greggors/ et al

The Creative Team

Director: Mr. Strait

Stage Manager: Mya Robinson

Assistant Stage Manager: Chloe Spitsnogle

Student Tech Director/Set Design: Duncan Law

Prop Master: Jaylin Davis

Costume Designers: Taryn McSorly

Light Designers: Duncan Law

Sound Designer/Technician: Logan Cornelison

Publicity: Jade Shrier

Crew: Shaylee Sanders, Alecia Claar, Sydney Luddick, Erica May, 



An overview of audition techniques.

Audition Quick Tips and Need to Knows

1. Give it a try, even if you think you're not ready, experience helps.

2. You are to prepare a 45-75 second monologue. You can also prepare about 30-45 seconds of singing without music (optional but recommended for show, there are six songs)

What is a monologue? A monologue is a section of dialogue where only one character is speaking for an extended time. For auditions they must be from a play.

3. Come to the workshop on Thursday, August 29.

4. Fill out the Audition Form, link above.

5. Come to auditions.

6. If you have questions, don't be afraid to ask, a lot of this will be new for people this year.

Memorization Helpful Hints 1

Memorization Helpful Hints 2


Order yourself a poster from the show.


11x17 Standard of the Peter Poster  $10.

14x22 Broadway No Border             $20

18x24 Broadway with border           $20

If you order in advance of the show or purchase the night of, the cast can sign and you get desserts after the show. 

Custom posters can be made off of selected photos after the completion of the show.  If interested, email 

The photos below are courtesy of yearbook.
Hannah Jensen, Brooke Wilson, Emma Tabor, Mackenzie Blackburn, and Maren Larson.